LE FRAGOLE DEL BALTICO
Contemporary art from Latvia

Organized by kim? Contemporary Art Centre, Riga in collaboration with Careof, Milan

Participants: Ēriks Apaļais, Jānis Avotiņš, Ieva Epnere, Kaspars Groševs, Ieva Kraule, Inga Meldere, Daria Melnikova, Ieva Rubeze, Krišs Salmanis, Ola Vasiljeva

Curated by Simone Menegoi and Zane Onckule

The opening event on June 9th will be accompanied by a performance by Kaspars Groševs
Venue: Careof, Via Giulio Cesare Procaccini, 4, Milan

June 9 - July 17, 2015



Le fragole del Baltico ('Baltic strawberries') provides an insight into Latvian contemporary art. Initially intended to complement the Latvian pavilion at EXPO 2015, it has fortunately survived the sad cancellation of the pavilion.

Le fragole del Baltico presents a selection of ten artists, for the most part born around 1980, and mostly exhibited in Italy for the first time: Ēriks Apaļais, Jānis Avotiņš, Ieva Epnere, Kaspars Groševs, Ieva Kraule, Inga Meldere, Daria Melnikova, Ieva Rubeze, Krišs Salmanis and Ola Vasiljeva. The exhibition doesn’t seek its unity in a medium or in a concept; instead it largely forms itself in the practice of its selected artists. Its overall framework is a display of Latvian artists’ works, both existing and new commissions especially created for the exhibition, that in its curation uninterruptedly embraces distinct artistic personalities and individual works in a wide range of media, encompassing: painting and sculpture, applied art and video, and photography and sound.

The title, whose ambition is to be poetic and simultaneously ironic, was inspired by the soft-focused, vaguely exotic perception in Southern Europe of the Baltic countries as cold lands, under whose grey skies a fruit such as a strawberry could never grow. In fact, strawberries and other berries regularly buck up the tables of Latvians, starting from the first months of summer right through to the rich autumn season; and contemporary art, which, aside from one or two names that are often not even linked to their country of origin, is little known in Italy, yet is no less vital and present.

While the exhibition has no overarching concept or medium, it is somewhat compact, and not just in terms of age. It mirrors a taste: the taste of the curators, but also a taste much more elusive and difficult to pinpoint, shared by this particular generation of artists. Here, some elements tend to reappear, although in very different shapes: a slant to revisit the past, be it personal and familiar or historical, as in Inga Meldere's paintings and plaster miniatures evoking expressive short stories, or in Ieva Epnere's series of photographs of Latvian students bringing flowers to their teachers on 1st September, a ceremony originated in Soviet times; a sense for the landscape, the weather, the change of the seasons, that can be found in some of the witty, ingenuous, poetic videos of Krišs Salmanis; a diffuse melancholy, haunting Ēriks Apaļais’ sparse, meditative paintings, as well as Jānis Avotiņš’ series of drawings - anonymous postcards of mysterious locations - paired with a painting of a ghostly couple; a quite peculiar brand of humor, deadpan and slightly nonsensical, an example of which is Ieva Rubeze's video compilation of Latvian “TV healers” from the 90s set to a white noise soundtrack, which is supposed to manipulate and improve one's spiritual energetics; a taste for decoration, applied arts and all kinds of hand-made objects, typified by Kaspars Groševs' knitted tracksuit, an outfit for an opening event, or by Ieva Kraule's setting for a fairy tale feast - ceramic plates bearing cartoonish eaters’ faces, and fabric painted with pastry motifs -, or by Daria Melnikova's literal take on measurements and (de)composition through burned images, a smashed bowl or hand-drawn graph paper; and last but not least, a certain, elusive idea of domesticity, as framed in Ola Vasiljeva’s pun-filled constellation of objects - a woolen rug, a door turned into a blackboard on one side and a bulletin board on the other, and two dada-esque assemblages including glass shoes.

Aiming at amplifying the aspect of domesticity and to develop the show as an interior of sorts, the curators have gone for a display whose taste is closer to the 19th century Salon or to the artists’ studio / houses-turned-museums, like that of Riga's modernist couple Romans Suta and Alexandra Beļcova, than to the Anglo-Saxon 20th century white cube. A display that includes colored walls and curtains, a sofa and armchair, potted plants - a regular feature of homes, artists’ studios or even exhibition spaces; - helps to record the relation between the various artistic elements – the berries in this basket – linked by a peculiar setting where artworks recall and replace and exchange a wide range of physical ephemera - furniture and other items of our daily life.


Artists’ biographies:

Ēriks Apaļais (1981) lives and works in Riga. He mainly works in painting, depicting objects, symbols and cultural signs that anchor both in his private as well as collective memory. Recent solo shows include Twigs (2014), The Arsenāls Exhibition Hall, LNMM, Riga; Inscribed Silhouettes (2014), Galerie Vera Munro, Hamburg; Words (2013), kim? Contemporary Art Centre, Riga; Art Cologne, New Positions (2012), Cologne, Germany; Confessions (2011), Galerie Vera Munro, Hamburg, Germany; group exhibitions: The Forgotten Pioneer Movement (2013), District Berlin, Berlin, Contexts of Painting, CAC, Vilnius. The artist has been awarded the Karl H. Ditze-Preis for best diploma, the University of Fine Arts of Hamburg, Germany (2011) and DAAD (German Academic Exchange Service) award for excellence. In 2011 he was nominated for Ars Viva 11/12 prize. The artist is represented by Galerie Vera Munro.

Jānis Avotiņš (1981) lives and works in Riga. His practice encompasses monochrome paintings, drawings and occasional objects. They deal with themes like loneliness and alienation, with ghostly faces and figures reminiscent of Soviet-era photography. Recent solo shows include Jānis Avotiņš Johnen Galerie, Berlin, (2013), Galerie Rüdiger Schöttle, Munich, (2013), Ibid., London (2013), Galerie Vera Munro, Hamburg (2013), Ludwig Forum, Aachen (2008). Recent group shows include: Fobofilia (2015), Fondazione Sandretto Re Rebaudengo, Turin, Ostwärts, Ludwig Forum, Aachen (2014/2015), Only here (2013), The Federal Republic of Germany's Contemporary Art Collection, Bonn, Gaiety is the most outstanding feature of the Soviet Union (2012), Saatchi Gallery, London, Is It That He Does Not Seek The Truth, But Does Want To Influence? (2011), Riga Art Space, Riga, Latvia and 14th Vilnius Painting Triennial: False Recognition (2010), CAC, Vilnius. The artist is represented by Galerie Rüdiger Schöttle and Galerie Vera Munro.

Ieva Epnere (1977) lives and works in Riga. Her body of work includes photography, video and film, where personal and private stories are the starting point for artistic reflections on identity, tradition and ritual. Recent solo shows include: Waiting Room (2015), Contretype, Brussels; Solo Show (2014), Galerie des Hospices, Canet-en-Roussillon, France; Mindscapes (2013), kim? Contemporary Art Centre, Riga, Latvia; The Green Land (2010), kim?, Contemporary Art Centre, Riga, Latvia; Darbi (2009), Kulturforum Alte Post in Neuss, Germany; Mikrorajons (2007), The exhibition hall Arsenals in Riga, Latvia; Encounters (2006), Atelier Hoeherweg in Dusseldorf, Germany; Group exhibitions: Ornamentalism. The Purvītis Prize (2015), Arsenale, Venice, 61. International Short Film Festival Oberhausen, International competition, Germany (2015); Bad Feminism, RPL Film Theatre, Regina, Canada (2015); 60. International Short Film Festival Oberhausen, International competition, Germany (2014).

Kaspars Groševs (1983) lives and works in Riga. The artist uses a variety of media and materials, such as – drawing, text, textile, sound, objects and installations in a constant search for formal solutions, aimed at shaping a coherent and intriguing message. Recent solo/two person exhibitions include Qu'est-ce que ça peut faire tout ça (in collaboration with Ieva Kraule, 2015), Shanaynay, Paris; OAOA (Jūras griesti) (in collaboration with Ola Vasiljeva, 2014), Jūras Vārti, Ventspils; 00:10:00:00 (2013), kim? Contemporary Art Centre, Riga; I/O. Without Enemies (2011), kim? Contemporary Art Centre, Riga and H (2012), Kanepes Culture Centre, Riga. Group shows: Lily's Pool (2015), Art In General, New York; Vortex (2014), Project Space Garage, Moscow and Aspen-Kemmern (2014) at kim? Contemporary Art Centre, Riga. He infrequently performs with his music and contributes texts to the Latvian cultural press and exhibition catalogs. Groševs is a co-founder and curator of gallery Four To Seven (427) in Riga.

Ieva Kraule (1987) lives and works in Riga. By using different media including photography, video, ceramics and painting she references applied arts and architecture of the Soviet era while tracing out the origins of both personal and collective aesthetic codes. Recent solo exhibitions include Nobody dances like that anymore (2014), gallery 427, Riga; …if all you told was turned to gold (2014), Vita Kuben, Umeå; Loneliness will be my greatest treasure (2014), Kalnciema kvartāls gallery, Riga; 11 out of 10 (2013), kim? Contemporary Art Centre, Riga, and Long Awaited Holidays by the Abyss of Fictitious Memories (2012) at the gallery Bastejs, Riga. Group shows: Lily's Pool (2015), Art In General, New York; Vortex (2014), Project Space Garage, Moscow, and Aspen-Kemmern (2014), kim? Contemporary Art Centre, Riga. Kraule is a co-founder and curator of gallery Four To Seven (427) in Riga.

Inga Meldere (1979) lives and works in Helsinki and Riga. She works mainly with painting. Her gently coated canvases, characterized by their light and pastel tones, fragile combinations of materials and techniques, often depict apparently naive-seeming narratives inspired by personal memories and family events. Recent solo exhibitions include Berzkalni (2015), gallery G12, Helsinki. Magic Mountain (2014), gallery XO, Riga; Untitled (2013) together with Oscar Santillan at Temnikova & Kasela gallery; Enough is Enough (2011) with Mikko Hintz at Temnikova & Kasela gallery; Offset (2011), gallery XO, Riga. Group shows: Tides of Change. Balticum (2011) HangART-7, Salzburg, Austria; FAX (2011) South London Gallery, London, England; Mother of Wind (2010) HFBK gallery, Hamburg, Germany. Meldere’s work was also included in the Vilnius Painting Triennial in 2010.

Daria Melnikova (1984) lives and works in Riga. By using sculpture, design, printmaking and mixed techniques she creates spatial and at times puzzling installations where beauty and intrigue, the handmade and the mass-produced are in balance. Recent solo exhibitions include Brewing Harmony (2014) at Gallery Vita Kuben, Umeå, Sweden; A Green Silhouette of Grey (2014), kim? Contemporary Art Centre, Riga and Dashing Lines and Forming Heaps (2011), kim? Contemporary Art Centre, Riga. Group exhibitions: Lily's Pool (2015), Art In General, New York; Literacy-Illiteracy (2014) at the 16th Tallinn Print Triennial, KUMU, Tallinn; Present Tense (2014), Kalmar konstmuseum, Kalmar; Aspen–Kemmern (2014), kim? Contemporary Art Centre, Riga; Vortex (2014), Project Space Garage, Moscow; Sculpture Is Space (2013), Hobusepea, Tallinn and 24 Spaces – Cacophony (2013), Malmö Konsthall, Malmo. Melnikova has received the first kim? Residency Award in 2015 and is in residency at KW Institute for Contemporary Art in Berlin from May till July.

Krišs Salmanis (1977) lives and works in Riga. He works with the media of photography, video, installation, animation and graphic art, creating conceptually charged accumulations-sets characterized by attention to detail and intellectual sharpness of wit. Together with Kaspars Podnieks, Salmanis was part of the exposition for the Latvian Pavilion at the 55th Venice Biennale. Latest solo exhibitions include 100 Books You Need Not Read Before You Die (2015), kim? Contemporary Art Centre, Riga; North by Northeast. The Deconstruction of the Pavilion (together with Kaspars Podnieks, 2014), kim? Contemporary Art Centre, Riga; Light (2012) in CAC Vilnius, Lithuania; The Fragility of Trust (2012), gallery Alma in Riga, Latvia; The Earth may be spinning around the Sun, but the World is turning around me (2011), Raum linksrechts in Hamburg, Germany; Moving Landscape (2011), Galerie fűr Gegenwartskunst in Bremen, Germany. He’s a regular contributor to the visual arts magazine Studija and other daily press. The artist is represented by Gallery Alma.

Ieva Rubeze (1977) lives and works in Riga. Her work – poetic videos and installations – are characterized by a clear conceptual core, revelation of thought paradoxes, wit and an extraordinary, timeless radiance. As a member of the artist group Famous Five (together with Līga Marcinkeviča and Mārtiņš Ratniks, 2002) she has represented Latvia in Sao Paulo Biennial, Venice Biennale (2005) and group shows, including: Buket (2008) in Moscow, Time Will Show (2008) in Flensburg and Rīga dimd! (2010) in Rostock. In 2014 she won the competition Riga Smiles Again organized by the Boris and Ināra Teterev Foundation in the framework of the program Art in Public Space and her proposed artwork (Ghost) will be implemented in the Riga urban environment in 2015.

Ola Vasiljeva (1981) is a Latvian-born artist living and working in Amsterdam. Vasiļjeva’s practice encompasses and crosses video, sculpture, music and texts. Her works engage with references to craft, music, subcultures and literature. Recent solo exhibitions include University (2015), Galerie Antoine Levi, Paris; The Limp of A Letter (2015), BOZAR, Brussels; Jargot (2014), New York, USA; Cinq à sept (2013), kim? Contemporary Art Centre, Riga, Latvia. Group exhibitions, including Society Acts - The Moderna exhibition 2 (2014), Moderna Museet, Malmö ; Last Seen Entering the Biltmore (2014), South London Gallery, London; What Were You Expecting, Mr. Milquetoast, a Plot? (2014), Badischer Kunstverein, Karlsruhe, Germany; Material Information (2012), Bergen Kunstmuseum, Bergen, Norway, among others. Vasiljeva is a founding member of the artist collective The Oceans Academy of Arts and the publisher of OAOA Magazine. In 2014 she was nominated for the Prix de Rome. Ola Vasiljeva is represented by Galerie Antoine Levi, Paris.

Curators:

Simone Menegoi (1970) is a critic and curator based in Milan and Verona. Since 2005, he has curated exhibitions in private and public spaces in Italy and abroad. Recent exhibitions include The Camera’s Blind Spot II, Extra City Kunsthal, Antwerp, 2015; The Warm Statues. Sculpture – Body – Action, 1945-2013, Museo Marino Marini (Florence), 2014; Michael E. Smith, Triennale di Milano, 2014; The Camera’s Blind Spot. Sculpture - Photography: Recent Examples, Museo d’Arte della Provincia di Nuoro, 2013; LE SILENCE Une fiction, Nouveau Musée National de Monaco, 2012; Bouvard and Pecuchet’s Compendious Quest for Beauty (together with Chris Sharp), David Roberts Art Foundation (London), 2012.
He has written essays that have appeared in the publications of a number of international institutions, such as Tel Aviv Art Museum, Ludwig Museum (Budapest), New Museum (New York), Fondazione Galleria Civica di Trento in association with Villa Arson (Nice) and Salzburger Kunstverein, Kunstforum Aachen, Camden Arts Centre (London), Fondazione Prada (Milan and Venice). He contributes regularly to artforum.com.


Zane Onckule (1982) is a curator, occasional critic and Programme Director at kim? Contemporary Art Centre, Riga since 2010. She has organised, curated and co-curated exhibitions, parallel programming as well as edited publications and other corresponding materials in collaboration with wide range of artists, curators and theoreticians. She was a co-commissioner of Latvian Pavilion at the 55th Venice Biennale organized in partnership with Art in General, New York. Recent curatorial activities include curating Sink Down Mountain, Raise Up Valley (2015), solo exhibition by Ulla von Brandenburg at kim? Contemporary Art Centre, Riga; Lily's Pool (2015), group exhibition at Art in General, New York; Jargot (2014), solo exhibition by Ola Vasiljeva at Art in General, New York and Little Vera (2014), a duo show by Sanya Kantarosvky and Ella Kruglyanskaya at kim? Contemporary Art Centre, Riga.


Careof is an Italian non-profit organization for the promotion of contemporary artistic research. It includes people that firmly believe in the value of art as a resource that has the capacity to develop new concepts and promote knowledge. With passion, Careof encourages cultural experimentation in all forms, with particular attention paid to young artists. Developing a dense teaching and exhibition program, documentation services on visual arts] and residences for young creative artists, the organization is also an intermediary between artists, curators, critics and a non-specialized public.

kim? Contemporary Art Centre (Riga, Latvia), founded in 2009, offers a range of activities including exhibitions, lectures, talks, publications and other events related to recent art, theory and social issues introduced by the means of a local and international corpus of ideas, beliefs and individuals. kim? supports the development of emerging artists, theoreticians, curators, philosophers, translators and thinkers of other spheres aiming to provide a responsive context to their work and to make critical practices accessible to a wider audience. In 2013 kim? headed the Latvian Pavilion at the 55th edition of the Venice Biennale in collaboration with Art in General. Recent collaborations partners in organizing exhibitions at kim? and internationally include Moderna Museet Malmo in Malmo, Art in General in New York, Garage Museum of Contemporary Art in Moscow and others. In 2015 kim? Residency Award was launched in collaboration with KW Institute for Contemporary Art in Berlin, the ISCP International Studio & Curatorial Program in New York and Gasworks, Gallery, Studios and International Residency Programme in London.


Acknowledgements: Temnikova & Kasela Gallery, Antoine Levi Gallery

Supported by: Ministry of Culture of the Republic of Latvia, State Culture Capital Foundation, VKN


For additional press information please contact:
Zane Onckule, zane.onckule@kim.lv

kim? Contemporary Art Centre
Maskavas Street 12/1, Riga, LV-1050
kim@kim.lv / www.kim.lv
+ 371 67223321

LE FRAGOLE DEL BALTICO
Arte contemporanea dalla Lettonia

Mostra organizzata da kim? Contemporary Art Centre, Riga, in collaborazione con Careof, Milano

Artisti: Ēriks Apaļais, Jānis Avotiņš, Ieva Epnere, Kaspars Groševs, Ieva Kraule, Inga Meldere, Daria Melnikova,
Ieva Rubeze, Krišs Salmanis, Ola Vasiljeva

A cura di Simone Menegoi e Zane Onckule
9 giugno - 17 luglio 2015
lunedì – venerdì 15.00 – 18.30
9 giugno ore 19.00, inaugurazione accompagnata da una performance di Kaspars Groševs
Sede: Careof, La Fabbrica del Vapore, via Procaccini 4, Milano

Le fragole del Baltico è una rassegna di arte contemporanea lettone. Inizialmente progettata come complemento della padiglione della Lettonia all’Expo di Milano, è sopravvissuta alla sfortunata cancellazione del padiglione all’ultimo momento.

Le fragole del Baltico presenta una selezione di dieci artisti, per lo più nati intorno al 1980, quasi tutti al loro esordio in Italia: Ēriks Apaļais, Jānis Avotiņš, Ieva Epnere, Kaspars Groševs, Ieva Kraule, Inga Meldere, Daria Melnikova, Ieva Rubeze, Krišs Salmanis and Ola Vasiljeva. La mostra non cerca la propria unità in un medium o in una tesi; si è formata a partire dal lavoro degli artisti. La sua cornice complessiva è semplicemente quella di una presentazione di opere recenti, già esistenti o create appositamente per la mostra, che abbraccia senza soluzione di continuità personalità artistiche distinte e media diversi: pittura e scultura, video e arte applicata, fotografia e suono. Il titolo, la cui ambizione è di essere al tempo stesso poetico e ironico, è stato suggerito dalla vaga (e vagamente esotica) percezione dei Paesi baltici in Europa meridionale come di contrade gelide, sotto i cui cieli grigi un frutto come la fragola non potrebbe mai maturare. Di fatto, le fragole e altri berries rallegrano regolarmente le tavole dei Lettoni dall’inizio dell’estate fino a tutta la ricca stagione autunnale; e l’arte contemporanea, che, a parte uno o due nomi, spesso neppure collegati al loro paese d’origine, è poco nota in Italia, è altrettanto vitale e presente.
Se la mostra non ha una tesi o un medium a fare da cornice, è nondimeno abbastanza compatta, e non solo in termini anagrafici. Rispecchia un gusto; il gusto dei curatori, naturalmente, ma anche un gusto più elusivo e difficile da definire, condiviso dalle ultime generazioni di artisti lettoni. Alcuni elementi tendono a ripresentarsi, benché in forme molto diverse. Ad esempio, un’inclinazione a rivisitare il passato, sia esso personale e familiare o storico, come nei dipinti e nelle piccole sculture in gesso di Inga Meldere, che evocano vivaci storie brevi, o nella serie di fotografie di Ieva Epnere che raffigurano studenti che portano fiori ai loro professori il primo Settembre, obbedendo a una consuetudine nata in epoca sovietica. Un forte sentimento del paesaggio, del tempo atmosferico, dell’alternanza delle stagioni, che si ritrova in alcuni degli arguti, ingegnosi video di Krišs Salmanis. Una malinconia diffusa, che aleggia nei dipinti rarefatti e meditativi di Ēriks Apaļais e nei disegni di Jānis Avotiņš, cartoline anonime da località misteriose, affiancati dal dipinto di una coppia spettrale. Un particolare tipo di humour, impassibile e leggermente assurdo, un esempio del quale è l’antologia video di “guaritori televisivi” lettoni degli anni Novanta associata a una colonna sonora di rumore bianco, realizzata da Ieva Rubeze. Il gusto per la decorazione, le arti applicate e per tutto ciò che è fatto a mano, che accomuna la tuta da ginnastica fatta a maglia da Kaspars Groševs, concepita come abito da inaugurazione; l’allestimento creato da Ieva Kraule per un banchetto da fiaba, con piatti di ceramica che raffigurano facce di commensali da cartone animato e stoffe dipinte con motivi di dolciumi; l’interpretazione letterale di Daria Melnikova della misura e della (de)composizione con immagini bruciate e tuttavia intatte, una ciotola di ceramica rotta già all’origine, o un foglio di carta quadrettata disegnato a mano. E infine un’elusiva idea di domesticità, così come la disegnano le costellazioni di oggetti di Ola Vasiljeva, punteggiati di buffe gag: una porta che diventa una lavagna da un lato e una bacheca dall’altro, due assemblaggi di gusto dada che includono scarpe di vetro, un tappeto bianco su cui è preferibile non camminare, ma disegnato con motivi di scarpe.

Allo scopo di amplificare quest’aspetto di domesticità, e di dare alla mostra la forma di una sorta di interno, i curatori si sono orientati verso un allestimento il cui gusto è meno prossimo a quello del white cube anglosassone del XX secolo che a quello del salon ottocentesco o delle case-studio degli artisti in seguito trasformate in museo, come quella della coppia modernista formata da Romans Suta e Alexandra Beļcova a Riga. Un allestimento che include muri colorati e tende, un sofà e una poltrona, piante in vaso - una caratteristica immancabile di case, studi e perfino spazi espositivi lettoni - e che suggerisce di leggere le opere (le fragole di questo “cestino”) come evocazioni e sostituti del mobilio e di altri articoli della vita di ogni giorno.

Biografie

Ēriks Apaļais (1981) vive e lavora a Riga. È in primo luogo un pittore, che dipinge oggetti e segni radicati tanto nella memoria privata quanto in quella collettiva. Mostre personali selezionate: Twigs (2014), The Arsenāls Exhibition Hall, LNMM, Riga; Inscribed Silhouettes (2014), Galerie Vera Munro, Amburgo; Words (2013), kim? Contemporary Art Centre, Riga; Art Cologne, New Positions (2012); Confessions (2011), Galerie Vera Munro, Amburgo. Mostre collettive selezionate: The Forgotten Pioneer Movement (2013), District Berlin, Berlino; Contexts of Painting, CAC, Vilnius. Apaļais ha ricevuto il premio Karl H. Ditze della University of Fine Arts di Amburgo (2011) e il premio di eccellenza della DAAD. Nel 2011 è stato candidato al premio Ars Viva 11/12. È rappresentato dalla galleria Vera Munro.

Jānis Avotiņš (1981) vive e lavora a Riga. Il suo lavoro comprende dipinti figurativi che tendono al monocromo, disegni e talvolta oggetti, e affronta temi come la solitudine e l’alienazione, riflessi in volti spettrali e figure che ricordano le fotografie dell’era sovietica. Mostre personali selezionate: Jānis Avotiņš, Johnen Galerie, Berlino (2013), Galerie Rüdiger Schöttle, Monaco (2013), Ibid., Londra (2013), Galerie Vera Munro, Amburgo (2013), Ludwig Forum, Aachen (D), 2008. Mostre collettive selezionate: Fobofilia (2015), Fondazione Sandretto Re Rebaudengo, Torino; Ostwärts, Ludwig Forum, Aachen (2014/2015); Only here (2013), Collezione d’arte contemporanea della Repubblica federale tedesca, Bonn; Gaiety is the most outstanding feature of the Soviet Union (2012), Saatchi Gallery, London; Is It That He Does Not Seek The Truth, But Does Want To Influence? (2011), Riga Art Space, Riga, e 14a Triennale di pittura di Vilnius: False Recognition (2010), CAC, Vilnius. Avotiņš è rappresentato dalle gallerie Rüdiger Schöttle e Vera Munro.

Ieva Epnere (1977) vive e lavora a Riga. Il suo corpus di opere include fotografie, video e film, nei quali vicende private e personali sono il punto di partenza per riflessioni artistiche sull’identità, la tradizione, il rito. Mostre personali selezionate: Waiting Room (2015), Contretype, Bruxelles; Solo Show (2014), Galerie des Hospices, Canet-en-Roussillon (FR); Mindscapes (2013), kim? Contemporary Art Centre, Riga, Latvia; The Green Land (2010), kim?, Contemporary Art Centre, Riga, Latvia; Darbi (2009), Kulturforum Alte Post, Neuss (D); Mikrorajons (2007), The exhibition hall Arsenals, Riga, Latvia; Encounters (2006), Atelier Hoeherweg, Düsseldorf. Mostre collettive selezionate e film festival: Ornamentalism. The Purvītis Prize (2015), Arsenale, Venezia: 61.o International Short Film Festival Oberhausen, concorso internazionale (2015); Bad Feminism, RPL Film Theatre, Regina, Canada (2015); 60.o International Short Film Festival Oberhausen, concorso internazionale (2014).

Kaspars Groševs (1983) vive e lavora a Riga. Impiega una vasta gamma di tecniche e materiali - disegno, testo, tessuti, suono, oggetti, installazioni - alla costante ricerca di soluzioni formali mirate a dare forma a messaggi coerenti e capaci di avvincere lo spettatore. Mostre personali selezionate: Qu'est-ce que ça peut faire tout ça (in collaborazione con with Ieva Kraule, 2015), Shanaynay, Parigi; OAOA (Jūras griesti) (in collaborazione con Ola Vasiljeva, 2014), Jūras Vārti, Ventspils; 00:10:00:00 (2013), kim? Contemporary Art Centre, Riga; I/O. Without Enemies (2011), kim? Contemporary Art Centre, Riga e H (2012), Kanepes Culture Centre, Riga. Mostre collettive selezionate: Lily's Pool (2015), Art In General, New York; Vortex (2014), Project Space Garage, Mosca e Aspen-Kemmern (2014), kim? Contemporary Art Centre, Riga. Suona spesso dal vivo musica che compone lui stesso, e scrive testi destinati a cataloghi d’arte contemporanea e a pubblicazioni culturali lettoni. È co-fondatore e curatore della galleria di Riga Four To Seven (427).

Ieva Kraule (1987) vive e lavora a Riga. Usando media diversi, che includono fotografia, video, ceramica e pittura, cita le arti applicate e l’architettura dell’era sovietica, delineando codici estetici personali e collettivi. Mostre personali selezionate: Nobody dances like that anymore (2014), galleria 427, Riga; …if all you told was turned to gold (2014), Vita Kuben, Umeå; Loneliness will be my greatest treasure (2014), Kalnciema kvartāls gallery, Riga; 11 out of 10 (2013), kim? Contemporary Art Centre, Riga, e Long Awaited Holidays by the Abyss of Fictitious Memories (2012), galleria Bastejs, Riga. Mostre collettive selezionate: Lily's Pool (2015), Art In General, New York; Vortex (2014), Project Space Garage, Moscow, e Aspen-Kemmern (2014), kim? Contemporary Art Centre, Riga. Kraule è co-fondatrice e curatrice della galleria di Riga Four To Seven (427).

Inga Meldere (1979) vive e lavora a Helsinki e Riga. Si esprime prevalentemente con la pittura. Le sue tele dal tocco gentile, caratterizzate da luminosi toni pastello e fragili combinazioni di materiali e tecniche, raffigurano spesso storie apparentemente ingenue, ispirate da ricordi personali e storie di famiglia. Mostre personali selezionate: Berzkalni (2015), galleria G12, Helsinki; Magic Mountain (2014), galleria XO, Riga; Untitled (2013) con Oscar Santillan, galleria Temnikova & Kasela, Tallinn; Enough is Enough (2011) con Mikko Hintz, galleria Temnikova & Kasela; Offset (2011), galleria XO, Riga. Mostre collettive selezionate: Tides of Change. Balticum (2011) HangART-7, Salisburgo; FAX (2011), South London Gallery, Londra; Mother of Wind (2010) galleria HFBK, Amburgo. Il lavoro di Meldere è stato incluso nella Triennale di pittura di Vilnius del 2010.

Daria Melnikova (1984) vive e lavora a Riga. Utilizzando scultura, design, tecniche di stampa e altri media crea installazioni talvolta enigmatiche, in cui bellezza e intrigo, ciò che è fatto a mano e ciò che è prodotto in serie, si equilibrano a vicenda. Mostre personali selezionate: Brewing Harmony (2014), galleria Vita Kuben, Umeå (SE); A Green Silhouette of Grey (2014), kim? Contemporary Art Centre, Riga e Dashing Lines and Forming Heaps (2011), kim? Contemporary Art Centre, Riga. Mostre collettive selezionate: Lily's Pool (2015), Art In General, New York; Literacy-Illiteracy (2014) nel contesto della 16a Triennale dell’incisione di Tallinn, KUMU, Tallinn; Present Tense (2014), Kalmar konstmuseum, Kalmar; Aspen–Kemmern (2014), kim? Contemporary Art Centre, Riga; Vortex (2014), Project Space Garage, Moscow; Sculpture Is Space (2013), Hobusepea, Tallinn e 24 Spaces – Cacophony (2013), Malmö Konsthall, Malmo. Melnikova è la vincitrice della prima edizione del kim? Residency Award (2015) ed è attualmente in residenza al KW Institute for Contemporary Art di Berlino.

Krišs Salmanis (1977) vive e lavora a Riga. Utilizando la fotografia, il video, l’installazione, l’animazione e la grafica crea accumulazioni / set concettualmente densi, caratterizzati dall’attenzione al dettaglio e da un’affilata arguzia intellettuale. Insieme a Kaspars Podnieks ha rappresentato la Lettonia alla 55.a Biennale di Venezia. Mostre personali selezionate: 100 Books You Need Not Read Before You Die (2015), kim? Contemporary Art Centre, Riga; North by Northeast. The Deconstruction of the Pavilion (con Kaspars Podnieks, 2014), kim? Contemporary Art Centre, Riga; Light (2012), CAC Vilnius; The Fragility of Trust (2012), galleria Alma, Riga, Latvia; The Earth may be spinning around the Sun, but the World is turning around me (2011), Raum linksrechts, Amburgo; Moving Landscape (2011), Galerie fűr Gegenwartskunst, Brema. Salmanis scrive regolarmente per la rivista di arti visive Studija e la stampa quotidiana lettone. È rappresentato dalla galleria Alma.

Ieva Rubeze (1977) vive e lavora a Riga. Il suo lavoro - video di ispirazione poetica, installazioni - è caratterizzato da un chiaro nucleo concettuale, da rivelazioni di paradossi del pensiero, dall’arguzia e da una specie di radiosità, una qualità singolare e fuori dal tempo. Come componente del gruppo Famous Five (composto, oltre che da Rubeze, da Līga Marcinkeviča e Mārtiņš Ratniks) ha rappresentato la Lettonia alla Biennale di San Paolo (2002) e alla Biennale di Venezia (2005) e ha partecipato a mostre collettive, fra cui Buket (2008), Mosca, Time Will Show (2008), Flensburge ,Rīga dimd! (2010), Rostock. Nel 2014 ha vinto il concorso Riga Smiles Again organizzato dalla Fondazione Boris e Ināra Teterev nel contesto del programma Art in Public Space; il lavoro proposto dall’artista (Ghost) diventerà parte del tessuto urbano di Riga nel 2015.

Ola Vasiljeva (1981) è un’artista di origine lettone che vive e lavora ad Amsterdam. Il suo lavoro comprende e associa video, scultura, musica, testi, e si confronta con riferimenti provenienti dall’artigianato, dalla musica, dalla letteratura e da determinate sottoculture. Mostre personali selezionate: University (2015), Galerie Antoine Levi, Parigi; The Limp of A Letter (2015), BOZAR, Bruxelles; Jargot (2014), New York; Cinq à sept (2013), kim? Contemporary Art Centre, Riga. Mostre collettive selezionate: Society Acts - The Moderna exhibition 2 (2014), Moderna Museet, Malmö; Last Seen Entering the Biltmore (2014), South London Gallery, Londra; What Were You Expecting, Mr. Milquetoast, a Plot? (2014), Badischer Kunstverein, Karlsruhe; Material Information (2012), Bergen Kunstmuseum. Vasiljeva è una delle fondatrici del collettivo di artisti The Oceans Academy of Arts e l’editrice di OAOA Magazine. Nel 2014 è stata candidata al Prix de Rome. È rappresentata dalla galleria Antoine Levi.


Simone Menegoi (1970) è un critico e curatore che vive a Verona e Milano. Dal 2005 cura mostre in spazi privati e pubblici, in Italia e all’estero. Fra le mostre recenti: The Camera’s Blind Spot II, Extra City Kunsthal, Anversa, 2015; The Warm Statues. Sculpture – Body – Action, 1945-2013, Museo Marino Marini (Firenze), 2014; Michael E. Smith, Triennale di Milano, 2014; The Camera’s Blind Spot. Sculpture - Photography: Recent Examples, Museo d’Arte della Provincia di Nuoro, 2013; LE SILENCE Une fiction, Nouveau Musée National de Monaco, 2012; Bouvard and Pecuchet’s Compendious Quest for Beauty (co-curata con Chris Sharp), David Roberts Art Foundation (Londra), 2012. I suoi testi sono apparsi nelle pubblicazioni di numerose istituzioni internazionali, fra cui il Tel Aviv Art Museum, il Ludwig Museum (Budapest), il New Museum (New York), la Fondazione Galleria Civica di Trento, il Kunstforum Aachen, il Camden Arts Centre (Londra), la Fondazione Prada (Milano e Venezia). Scrive regolarmente per il sito di Arforum.

Zane Onckule (1982) è una curatrice, occasionalmente critica e, dal 2010, direttrice del programma presso il kim? Contemporary Art Centre di Riga. Ha organizzato, curato e co-curato mostre e programmi collaterali di eventi, così come pubblicazioni e altri materiali a stampa in collaborazione con un gran numero di artisti, curatori e teorici. È stata una dei commissari del padiglione lettone alla 55a Biennale di Venezia, organizzato in collaborazione con Art in General di New York. Fra le sue mostre recenti, Ulla von Brandenburg, Sink Down Mountain, Raise Up Valley (2015), kim? Contemporary Art Centre, Riga; Lily's Pool (2015), Art in General, New York; Ola Vasiljeva, Jargot (2014), Art in General, New York e Little Vera, doppia personale di Sanya Kantarosvky ed Ella Kruglyanskaya (2014), kim? Contemporary Art Centre, Riga.


Careof è un’organizzazione non profit per la promozione della ricerca artistica contemporanea. È formata da persone che credono nel valore dell’arte come risorsa e capacità di costruire significati e apprendimento cognitivo. Con passione incoraggia la sperimentazione culturale in tutte le sue forme, in particolare il lavoro dei giovani artisti. Sviluppando un ricco programma espositivo e didattico, servizi di documentazione sulle arti visive e un centro di residenze per creativi, l’organizzazione si pone come interlocutore privilegiato fra artisti, curatori, critici e pubblico non specializzato.

kim? Contemporary Art Centre (Riga), fondato nel 2009, offre una ampia gamma di attività, fra cui mostre, conferenze, dibattiti, pubblicazioni legate all’arte, alla teoria e a questioni sociali recenti, presentate attraverso un corpus locale e internazionale di idee, valori, individui. kim? sostiene lo sviluppo di personalità emergenti della cultura come artisti, teorici, curatori, filosofi, traduttori, pensatori provenienti da differenti campi del sapere, con l’obiettivo di creare un contesto reattivo nei confronti del loro lavoro e di rendere determinate pratiche critiche accessibili a un pubblico più vasto. Nel 2013 kim?, in collaborazione con Art in general di New York, ha diretto il Padiglione lettone alla 55.a Biennale di Venezia. La lista dei partner recenti nell’organizzazione di mostre, sia presso kim? che in altre sedi internazionali, include il Moderna Museet Malmö, Art in General (New York), Garage Museum of Contemporary Art (Mosca). Nel 2015 kim?, in collaborazione con KW Institute for Contemporary Art (Berlino), ISCP International Studio & Curatorial Program (New York) e Gasworks, Gallery, Studios and International Residency Programme (Londra) ha lanciato il primo kim? Residency Award.

Si ringraziano: Temnikova & Kasela Gallery, Antoine Levi Gallery

Sponsor: Ministero della Cultura della Repubblica di Lettonia, State Culture Capital Foundation, VKN