crossing languagehttp://www.succoacido.neten-ENCopyright 2001-2007Rem Koolhaas and his agency, the Office of Metropolitan Architecture (OMA), create complex, mutable and seemingly disaggregated spaces, where fragmentation is preferred to integrity, dynamic fruition to contemplation, and where the distinction between interior and exterior prevails on structural sincerity. A good example of this architectural practice is the project of the Netherlands Embassy, realised in Berlin in 2003. This building was intended to occupy one of the many urban voids which characterise the city. Starting from the conception of emptiness as an architectural element, Koolhaas chose it as the generative constituent of the project.

]]>http://www.succoacido.net/showarticle.asp?id=812Tutti su "Molla 2". Perchè il vento in poppa è meglio del cervello in pappa.

]]>http://www.succoacido.net/showarticle.asp?id=811Ashtu si veprat e Medardo Rosso dhe Michelangelo syrin e shikuesit duhet te finalizohet, tregime t Giuseppe Vitale kerkojne vemendjen e syve te mendjes, duke detyruar lexuesit per reflektim.

]]>http://www.succoacido.net/showarticle.asp?id=808Tre giorni di seminari, conferenze, incontri con alcune delle più grandi firme del giornalismo italiano: Marco Travaglio, Luca Telese, Peter Gomez, Bianca Stancanelli, Andrea Vianello, tutti accorsi in Sicilia per affermare che si può, si deve resistere, e soprattutto si deve continuare a fare informazione di qualità. La tre giorni del Festival del Giornalismo d’Inchiesta, quest’anno alla sua seconda edizione, all'interno del complesso monumentale San Pietro nel vivace centro storico della cittadina che nel lontano 1860 fu teatro dello sbarco dei Mille. Il tutto a pochi giorni dalle celebrazioni per il 150° anniversario dell’unità d’Italia e sotto lo sguardo ammiccante di un Garibaldi rivisitato in chiave pop.

]]>http://www.succoacido.net/showarticle.asp?id=807Spectacle vainqueur du prix MArte Live 2009

]]>http://www.succoacido.net/showarticle.asp?id=796Le nouveau spectacle de la Compagnie DanzAbile de Giarre (Sicile) au Teatro del Baglio

]]>http://www.succoacido.net/showarticle.asp?id=795“...en el fondo, todo lo al que aspirábamos era ésto: un nuevo camino, un sendero, hacia la libertad.”

]]>http://www.succoacido.net/showarticle.asp?id=806Until June 13 the exhibition offers a reflexion about American culture and iconography, which dazzling aspects are discreetly denied in Hopper’s paintings in favor of a suspended description of the most introspective implications of daily American life.

]]>http://www.succoacido.net/showarticle.asp?id=804Caminhando com Samuel by Tommi Musturi / Huuda Hudda / 5ème Couche / Optimal Press / Mmmnnnrrrg

]]>http://www.succoacido.net/showarticle.asp?id=800Dieu en personne / Marc-Antoine Mathieu / Delcourt

]]>http://www.succoacido.net/showarticle.asp?id=799The Book of Genesis / Robert Crumb / Fantagraphics

]]>http://www.succoacido.net/showarticle.asp?id=798An article proposing a close, conjoint reading of three recently released comic books that address God.
This article comprises in three parts not counting with this introductory piece. I will address each of the books separately, but the reason they are bundled together in one breath is due to the fact that they can be united under the same roof, matter and or theme. In very different ways these comic books address the issue of God.

The Book of Genesis by Robert Crumb (Fantagraphics),
Dieu en personne by Marc-Antoine Mathieu (Delcourt) and
Caminhando com Samuel by Tommi Musturi (Huuda Hudda/5ème Couche/Optimal Press/Mmmnnnrrrg)

]]>http://www.succoacido.net/showarticle.asp?id=797Interview avec Valerie Trebeljahr, chanteuse du groupe Lali Puna. Influences, label dirons-nous familial et autres.

]]>http://www.succoacido.net/showarticle.asp?id=793When I come back home, at 1.40 pm, I find the habitual pile of packages waiting for me. The first one I unwrap, as usual, is the one by Wallace. I own this to her. While unwrapping my package, I hesitate for a while. Then I make an oblique smile, like Billy Idol’s when he used to pose as a villain. Inside the package there’s an unexpected re-edition of Full Fathom Six, the third and last Six Minute War Madness album. I can’t spare it no more.

]]>http://www.succoacido.net/showarticle.asp?id=791Peter Kutin, 26 years by now, musician, soundartist, composer, listener... Very curious about 'everyday objects' and what they sound like.

]]>http://www.succoacido.net/showarticle.asp?id=782The Konki Duet est un groupe formé à Paris en 2002. Le groupe est composé de Kumi (clavier/voix), Zoé (guitare/voix) et Tam (violon/voix). Découvrez leur univers electro pop à travers leurs trois album: Il fait tout gris (2004), Mountain Mouton (2006) et le dernier Ensemble EP (2009).

]]>http://www.succoacido.net/showarticle.asp?id=784The artist pulls under the observer’s eyes all the things he would never want to see, starting a slow, but insistent corrosive action on a mental level. Each image, with its set of words, is strong, disturbed and powerful, and it does not let you abandon it easily, continuing to scratch the observer’s eye for a long time.

]]>http://www.succoacido.net/showarticle.asp?id=780Storie a fumetti che fanno centro.

]]>http://www.succoacido.net/showarticle.asp?id=781A round table organised by the students of the master in “Contemporary art curator” at La Sapienza University of Rome. An encouragement of the dialogue among the most important foundations of the capital and an occasion to ask some questions...

]]>http://www.succoacido.net/showarticle.asp?id=778A mostra reúne objectos representativos de diferentes culturas e territórios do continente africano, nomeadamente Congo, Moçambique, Guiné- Bissau, Nigéria, Libéria, Mali, Gana, Quénia, entre vários outros países, propondo uma visao da que é impropriamente chamada “arte africana”, termo demasiado genérico para designar práticas artísticas e estéticas tão diferentes e distantes tanto geograficamente como para os usos e funções a elas atribuídas.

]]>http://www.succoacido.net/showarticle.asp?id=775Pequena leitura da adaptação do autor de banda desenhada Manuele Fior da novela de 1924 Menina Else, do escritor austríaco Arthur Schnitzler.

]]>http://www.succoacido.net/showarticle.asp?id=776Le 14 octobre 2009, les artistes Rosaria Iazetta et Iolanda Napolitano ont présenté à travers différents média la relation entre la représentation donnée par la pop culture sur la Camorra et la vie quotidienne à Naples et la région de la Campanie. Cette présentation s’est déroulée au théâtre Siani à Naples. Dans une interview, nous avons questionné Iazetta sur ses intentions et son travail, qui depuis de nombreuses années est centré sur la manière dont la Camorra communique son pouvoir et comment les messages qu’elle véhicule peuvent être transformés en messages d’espoir et de rédemption.

]]>http://www.succoacido.net/showarticle.asp?id=749A short review on Eric P. Nash's latest book "Manga Kamishibai - The Art of Japanese Paper Theatre" published by Abrams ComicArts,on one of the most magnificent yet ellusive (for us, Europeans) popular arts from Japan, the kamishibai, or "paper theater", one of the many roots of the modern and strong Japanese comics and animation production.

]]>http://www.succoacido.net/showarticle.asp?id=762A temporary autonomous space would also be good, an autonomous place in which one can feel free to create. In our workshops we try to re-create this kind of place for experimenting, playing, speaking about politics, death and collective creation. From Living Theatre... Gary Brackett.

]]>http://www.succoacido.net/showarticle.asp?id=732Videocracy a été imaginé dans l'impossibilité d' "expliquer" Silvio Berlusconi et pas seulement à l'attention du public italien. Videocracy a choisi de montrer aux spectateurs internationaux comment le postulat de Chomsky à propos des médias de masse alors comparés à une "usine de consensus" est devenu une tautologie pour la société contemporaine italienne.

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