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Art News - Exhibitions | by Galerie Pièce Unique in Art News - Exhibitions on 22/05/2015- Comments (1)
 
Mary A. Waters
The picture of a painting, the reproduction, not the original one, is for her the starting point to create an image. She acts as an image-hunter, on her canvases she reclaims characters from the most famous portraits of the History of Art that she combines with a contemporary touch: the free use of colors, loans from cinematographic techniques, monochrome backgrounds and the reflection of images are actually associable to post-moderns practices.
 
 
Born in 1957 in London. Works and lives in Galway (Ireland) and Utrecht (Netherlands).
Mary A. Waters graduated at the Galway College of Art in 1981. She taught as professor of Art and Design at the secondary school of Galway until 1990 and her works have been exhibited in many museums or galleries and international art fairs. Her last solo show has been inaugurated in 2014 at Stedelijk Museum Kampen.
Mary A. Waters grew up in Ireland, where the access to the masterpieces of the museums and to the rich illustrated books of the libraries was very difficult. Fascinated by the art of the Italian Renaissance as well as the art of the Dutch and British Golden Age, she had to satisfy her curiosity with the reproductions, often in black and white, she could find on catalogues. This indirect contact with artworks deeply impressed her reflection, and the use of reproductions is at the core of her artistic approach.
The picture of a painting, the reproduction, not the original one, is for her the starting point to create an image. She acts as an image-hunter, on her canvases she reclaims characters from the most famous portraits of the History of Art that she combines with a contemporary touch: the free use of colors, loans from cinematographic techniques, monochrome backgrounds and the reflection of images are actually associable to post-moderns practices.
According to the artist, the symbolic value of an original (economic and historic values) as well as the context in which we observe it, influence our sensing, whereas a reproduction allowing both the contact and the necessary distance, gives us the opportunity to experiment fully these masterpieces. For her third exhibition at Galerie Pièce Unique, Mary A. Waters goes deeper in her pictorial researches and through these skillfully elaborated images, the artist initiates us into feeling above all the timelessness and the power of Painting.
 
Mary A. Waters
La photographie d’une peinture, la reproduction, non l’original, sont, pour elle, le point de départ pour créer une image. Elle agit comme un chasseur d’images et reprend dans ses toiles des personnages issus des plus célèbres portraits de l’histoire de l’art qu’elle associe à une facture contemporaine: l’utilisation libre des couleurs, l’emprunt des techniques cinématographiques, les fonds monochromes et le reflet d’images sont effectivement associables aux pratiques postmodernes.
 
 
Née en 1957 à Londres. Vit et travaille à Galway (Irlande) et Utrecht (Pays-Bas).
Mary A. Waters est diplomée du Galway College of Art en 1981. Elle enseigne comme professeur d’art et de design a l’école secondaire de Galway jusqu’en 1990 et ses œuvres ont été exposées dans nombre de musées ou galeries et foires internationales. Sa dernière rétrospective a été inaugurée en 2014 au Stedelijk Museum Kampen.
Mary A. Waters a grandi en Irlande, dans un contexte où l’accès aux chefs-d’œuvre des musées et aux riches ouvrages illustrés des bibliothèques n’était pas toujours évident. Passionnée par la peinture de la Renaissance italienne, du Siècle d’Or hollandais et anglais, Mary A. Waters a dû satisfaire sa curiosité en observant les reproductions, souvent en noir et blanc, qu’elle trouvait dans les catalogues. Ce rapport indirect aux œuvres a profondément marqué sa réflexion, et le principe de reproduction est aujourd’hui au cœur de sa démarche artistique.
La photographie d’une peinture, la reproduction, non l’original, sont, pour elle, le point de départ pour créer une image. Elle agit comme un chasseur d’images et reprend dans ses toiles des personnages issus des plus célèbres portraits de l’histoire de l’art qu’elle associe à une facture contemporaine: l’utilisation libre des couleurs, l’emprunt des techniques cinématographiques, les fonds monochromes et le reflet d’images sont effectivement associables aux pratiques postmodernes.
Selon l’artiste, la valeur symbolique d’un original (valeur historique et économique), tout comme les conditions dans lesquelles on l’observe, influencent souvent notre perception alors qu’une reproduction, en permettant à la fois le contact et le détachement nécessaires, nous donne l’occasion de véritablement expérimenter ces chefs-d’œuvre. Pour sa troisième exposition à la Galerie Pièce Unique, Mary A. Waters approfondit ses recherches picturales et à travers ces images savamment élaborées, nous initie à ressentir avant tout l’intemporalité et la puissance de la Peinture.
 
Mary A. Waters
L’artista agisce come una cacciatrice d’immagini riprendendo nelle sue tele i personaggi dei piu celebri ritratti della storia dell’arte che associa a una realizzazione contemporanea: l’utilizzo libero dei colori, la presa in prestito delle tecniche cinematografiche, i fondi monocromi e le immagini riflesse sono effettivamente associabili alle pratiche postmoderne.
 
 
Nata nel 1957 a Londra. Vive e lavora a Galway (Irlanda) e a Utrecht (Paesi Bassi). Mary A. Waters si è diplomata al Galway College of Art nel 1981. Ha insegnato come professoressa d’arte e di disegno alla scuola secondaria di Galway fino al 1990. Le sue opere sono state esposte in numerosi musei, gallerie e fiere internazionali. La sua ultima retrospettiva è stata inaugurata nel 2014 al Stedeljk Museum di Kampen.
Mary A. Waters è cresciuta in Irlanda, in un contesto dove l’accesso ai capolavori dei musei e alle ricche opere illustrate delle biblioteche non era sempre facile. Appassionata della pittura del rinascimento italiano, del Secolo d’Oro olandese e inglese, Mary A. Waters ha dovuto soddisfare la sua curiosità osservando le riproduzioni, spesso in bianco e nero, che trovava nei cataloghi. Questo rapporto indiretto con le opere ha profondamente marcato la sua riflessione e il principio di riproduzione è oggi al cuore del suo percorso artistico.
La fotografia di una pittura, la riproduzione, non l’originale, sono per lei il punto di inizio per creare un’immagine. L’artista agisce come una cacciatrice d’immagini riprendendo nelle sue tele i personaggi dei piu celebri ritratti della storia dell’arte che associa a una realizzazione contemporanea: l’utilizzo libero dei colori, la presa in prestito delle tecniche cinematografiche, i fondi monocromi e le immagini riflesse sono effettivamente associabili alle pratiche postmoderne.
Secondo l’artista, il valore simbolico di un originale (valore storico ed economico), come le condizioni nelle quali lo osserviamo, influenzano spesso la nostra percezione, allora che una riproduzione, permettendo a volte il contatto e il distacco necessario, ci dà l’occasione di sperimentare veritabilmente questi capolavori. Per la sua terza esposizione alla Galleria Pièce Unique, Mary A. Waters approfondisce le sue ricerche pittoriche e attraverso queste immagini sapientemente elaborate ci educa a sentire innanzitutto l’atemporalità e la potenza della pittura.
 
 
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Comments.

 
  posted by Nessun untente on 15/06/2015 17:34:12
 
Grazie per tutto il lavoro svolto e tutto il piacere che trovo

voyance par mail gratuite
 
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INFOS
PERIOD: from 28/05/2015 to 25/09/2015
CITY: 75006 Paris
NATION: France
VENUE: Galerie Pièce Unique
ADDRESS: 4, rue Jacques Callot / 26, rue Mazarine
TELEPHONE: +33 (0)1 43268593
FAX:
EMAIL: variations@club-internet.fr
WEB: www.galeriepieceunique.com/
INSERTED BY: Galerie Pièce Unique
 
MARY A. WATERS - Girls Mirrored 2 (She thought it would be better together). Diptych, oil on linen, cm 180 x 240
 
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